Bono – Fascinating Fact: 3609015


Cops were reportedly called to a ranch in La Quinta, California where U2 star Bono staged a surprise performance during the Coachella music festival on Saturday (13Apr13) due to overcrowding. Organisers of the Rolling Stone/Patron bash failed to receive appropriate permits for the gig, forcing police to regulate attendance levels and evacuate a number of guests, according to the New York Post.

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Grammy-winning producer who paired Sinatra with Bono dies at 72






Phil Ramone, the Grammy Award-winning engineer and producer who paired Dublin singer Bono with Frank Sinatra for an album of duets has died at the age of 72.

Ramone made an art out of the Duets concept, pairing Sinatra with Bono, Tony Bennett with Paul McCartney and Bonnie Raitt with Van Morrison.




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Bono, Joe Cocker and … Herbert Grönemeyer

Singer, songwriter and actor Herbert Grönemeyer is huge in Germany. Will he conquer Britain, asks Neil McCormick .


‘There’s always more to Herbert’s songs than you first hear,’ says Bono, who duets with Herbert Grönemeyer on ‘I Walk’

By Neil McCormick

Herbert Grönemeyer is Germany’s biggest music star. No sniggering at the back. In our Anglo-American culture, Germany occupies its own niche in pop’s deepest circle of hell, where you will find such rare German exports as Boney M, Nena, Milli Vanilli and the cartoonish techno outfit Scooter.

But Grönemeyer is a singer-songwriter of the highest order, a deep lyricist and richly melodic composer with a gruff, grown-up voice and vigorous stage presence, whose thoughtful songs deal with the real stuff of life. At 56, he regularly sells out stadiums, commanding his devoted audience with a lot of energy and humour, and interspersing his own, often darkly intense songs with brash, soulful cover versions. He’s been making albums since 1979, outsold Michael Jackson’s Thriller in Germany in 1984, and made the biggest-selling German album of all time, Mensch, in 2002.

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Writer of ‘Spider-Man’ Musical Signs a Book Deal

By CHARLES MCGRATH


Reeve Carney, center, in a promotion for “Spider-Man: Turn Off the Dark.” Photo: Chad Batka for The New York Times

Glen Berger, the Off-Broadway playwright whose plum assignment to collaborate with Bono and the Edge of U2 on a Broadway musical turned into the media circus known as “Spider-Man: Turn Off the Dark,” has signed with Simon & Schuster to write a book about his experience, the publisher said on Tuesday.

“Song of Spider-Man: The Inside Story of the Most Controversial Musical in Broadway History” was acquired by Jonathan Karp, the publisher and executive vice-president of Simon & Schuster, who has a particular interest in musical theater, having written an Off Broadway show of his own in 2004.

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If the Bond folks want to top the UK charts, they’d better get Rihanna

by Brian Boyd

THE PEOPLE BEHIND the new James Bond film were desperate to break a miserable chart record and get this current 007 theme song to number one in the singles chart — something that’s never happened before despite flinging some of the biggest names in music at the task. Adele was called up this time out and even she couldn’t manage it with her Skyfall theme stalling at number two.

It’s almost quaint that there is still quite a bit of interest in the Bond theme. For a certain generation, it’s Shirley Bassey or nothing (where my loyalties lie) but interfering “modernists” in the Bond production team are insistent that the theme song should reflect today’s musical sensibilities.

The big musical change for Bond came with 1999’s The World Is Not Enough when alt-rockers Garbage were drafted in an attempt to keep it all relevant for the young people. All very well, but Shirley Manson is no Shirley Bassey in the vocal department.

Madonna did the honours for Die Another Day in 2002 but her song – a sorry attempt at “Electroclash” was generally considered to be “pneumatic and hook-deficient”.

Surprisingly, Chris Cornell – ex of grunge band Soundgarden – got the nod for Casino Royale, despite the fact that the majority of Bond cinema-goers would have had no idea who he was,

and for Quantum of Solace Jack White was drafted in – and despite the quality of the song, that was the most inorganic coupling of them all.

Where Radiohead were in all this “keep it real for the kidz” is anyone’s guess. Thom Yorke had already shown himself to be a knowledgeable Bond theme music fan when he opined that Nobody Does It Better from The Spy Who Loved Me film was “the sexiest song ever written”. And Radiohead’s cover of the song is far better than you would imagine.

It’s a little-aired fact that the Bond theme is madly sought after by bands and actively canvassed for. Johnny Cash was a huge Bond music fan and his Thunderball song (you’ll get it on YouTube) was a certainty until he was unceremoniously replaced with Tom Jones.

Alice Cooper wanted it so much he sent in a song for The Man With The Golden Gun on spec but he was turned down in favour of Lulu (of all people). And don’t mention Bond to Debbie Harry. She was lined up to sing the theme for For Your Eyes Only but walked when it turned out she couldn’t use a new Blondie song but had to sing an already- composed Bill Conti song.

Harry was replaced by Sheena Easton.

The Pet Shop Boys were bumped at the last minute by A-Ha for The Living Daylights and Eric Clapton lost out to Gladys Knight for Licence To Kill.

Still kicking themselves are Ace of Base who were chosen for Goldeneye but pulled out fearing the film would be a flop. Bono and The Edge were drafted in to write a song for Tina Turner instead.

The worst ever Bond music decision, though, was for the Tomorrow Never Dies film. Saint Etienne (who would have been perfect) were asked to submit a song, as were Pulp, but the job eventually went to Sheryl Crow who was considered a bigger name.

Apparently, Pierce Brosnan still has the master tape of the Saint Etienne song he loved it so much. And Amy Winehouse was supposed to have done Quantum of Solace but that never came off on time.

Just days before Adele released Skyfall a chart emerged of all the Bond theme songs based on the number of plays they have had on TV, radio and the internet. Live and Let Die was at number one, but it was good to see La Bassey at both number two (Goldfinger) and number five (Diamonds are Forever).

Meanwhile, the quest for a number one Bond song remains. It’s Rihanna for the next film, one suspects.

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K’NAAN FT. BONO – “BULLETPROOF PRIDE”


You can probably count on one hand the number of Hip-Hop artists with the pedigree to score a collaboration with Bono, and though K’naan might not be one of the names that immediately pops to mind, it does make total sense. After all, K’naan has demonstrated a penchant for writing anthemic, globally accessible songs with socially conscious undertones, the kind of thing Bono has made a career out of with U2.

K’naan Ft. Bono – “Bulletproof Pride”

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